Sometimes we’re lucky with our mentors - the folks who guide us through the swamp to higher ground.
I remembered one vividly today, as I always do when the orchestra is playing Beethoven - Phil Sturholm, a legend as a cameraman but known by reporters and photographers alike as a great teacher of journalism.
Phil would say, and there was much more as well, that television news stories needed a pulse, a momentum forward, that one shot should lead to the next with logic and clarity.
I always think of Phil, that advice, when the orchestra plays Beethoven - today the Eroica, the Third Symphony. There’s a power, thrust, and propulsion to the musical language - sound itself telling a story - that carries a listener forward with an unforgettable force - one reason his music, like Bach before him, is played again and again in different centuries and cultures.
I remembered one vividly today, as I always do when the orchestra is playing Beethoven - Phil Sturholm, a legend as a cameraman but known by reporters and photographers alike as a great teacher of journalism.
Phil would say, and there was much more as well, that television news stories needed a pulse, a momentum forward, that one shot should lead to the next with logic and clarity.
I always think of Phil, that advice, when the orchestra plays Beethoven - today the Eroica, the Third Symphony. There’s a power, thrust, and propulsion to the musical language - sound itself telling a story - that carries a listener forward with an unforgettable force - one reason his music, like Bach before him, is played again and again in different centuries and cultures.
Music is a language; no less than the spoken and written word, it needs not only eloquence, but clarity and force. Its themes - its story lines - must move us on, tell us something tangible, and give us a conclusion with a power that flows from all the sound before it. Beethoven's secret sauce.
So, thank you Phil, and Ludwig - when I’m in the balcony listening, you’re both there…...